Been focused mainly on making progress on a new custom piece. It’s for a belly dancer and one of my bracelet designs, but made bigger to fit around her upperarm.  I can’t wait to see what it looks like with the rest of her belly dancing costume.

I did take a break from that project today and finished up this awesome little circular motif from pages 5 and 6 of the first Priscilla book.  I used some of the blue thread left on my shuttles from the star doily and surprisingly, managed to have almost exactly the right amount left on the shuttle for it.  Love when that happens.

I also love the idea of a single join to two separate picots at the same time.  It’s something I’d been contemplating, but never actually tried and I think this is the first place I’ve seen it done.  I use the point on my shuttle rather than a crochet hook for my joins, but using a crochet hook would probably make this double join a lot easier.  It’s not a pattern that I’ll be able to do easily while walking (yes, I tat while walking and hiking) but I really liked the way this motif came out.

The book gives two yoke designs to use this motif for.  I haven’t decided if I’m going to do projects that big out of it.  Or rather, I doubt I’ll make a yoke, but may find some other large project for it.  I’m trying not to start any more large projects right now.  I’ve got enough going already so I want to finish a couple others soon.  For large Priscilla related projects I just want to focus on finishing the star doily and a baby bonnet from another Priscilla pattern that I’ve been eying and will probably start soon.

ANYWAY.  Let’s get on to awesome double-joining pattern for this motif, shall we?

Don’t be intimidated by the length of these directions in the book.  Most of them are for the finishing technique and for putting together two different yokes out of this motif.

I didn’t actually try the finishing technique, but I didn’t find it necessary.  The reason given for doing it is to make the motif come out flat and even without blocking.  My motif didn’t seem to need anything, but I did make it out of size 10 thread, so that might have made the difference.  The book called for size 50.

Here’s the instructions for the motif.  I’m including the pictures of the instructions for the finishing of the motif, but I didn’t do them on mine.  The only difference between the instructions as written and what I did was to climb out of the first ring with a mock picot rather than to cut and tie as they usually have you do.

Wind two shuttles using the CTM.

Round 1

With shuttle 1, R 2(-2)x11  Picots should be very long.

Round 2

Leave a mock picot,

*Ch 2-1-1-2 leaving the first half of the first stitch unflipped to lock the threads in place.

Shuttle join to next picot on ring.

Repeat from *, working your way around all picots of the center ring.  Last join of this round will be into the mock picot.

Join at the same time to both the first picot of the first chain and the last picot of the last chain.

** Ch 3-2

With Shuttle 2 (the same shuttle as made the stitches of the chains) R 1(-1)x7  Picots should increase in size until the 4th picot and then decrease in size.

Ch 2-3.  Shuttle join (Shuttle 1) to TWO picots of the previous round. Both the picot before and the picot after the previous round’s joins to the center ring.

Repeat from **, working your way round the motif.  Final chain should be joined to the last picot of the second round.

Hide ends and cut.

Here’s how mine came out:

So that makes the basic motif.  The instruction continue and want you to use size 150 (I think that’s the size of sewing thread) to weave around the motif.  This is suppose to give it shape, I guess.  I didn’t do that and not sure that it needed it, but maybe I’ll try it in the future.   The instructions continue and give you directions to make the two yokes below.

I don’t have any need for yokes.  I’m sure I’ll make more of these motifs and I like the way they look sewn together, but don’t know yet what I’ll actually make from them.  However, I’d like to make something that’s actually useful.  Ideas?

I’ve made a bit of progress on the star doily in the last couple days. Here’s the post about the original motif.

The new part in this project is the small motif used to fill the space between the larger motifs.  As written the pattern says to make the four motifs and then make the small motif, but it seemed a lot easier to make two of the large ones, then do the little one and then another two large ones.  Filling in small spaces just isn’t my idea of fun tatting.  Too fiddle-y.

I made a second motif joining it to the first on the final round by the middle 3 of the 5 picots on an outer chain.  The book didn’t actually say how to do the join and from the look of the picture to the left I couldn’t actually tell how the original was joined, but I figured 3 joins would make it nice and strong.

I think the small motif would make an excellent small pendant or a pair of earrings.  Actually the center part of the large one would as well.  I’m adding these to my list of things to try when I have time.  The small motif is a fairly straight forward one.  My only slight confusion was to the first (and only) ring.  They call for you to tie the threads, but don’t say to cut.  Presumably they intended for you to cuqt them since that seems to be what was common at the time and they don’t then have you joining the thread to the first picot as I’ve seen them do.

Anyway, it’s a small matter because I just started the ring at a picot and left the shuttle on the ball.  After closing the ring I  made a mock picot after the ring by not flipping the first half of the first stitch of the first chain. (Wow, three firsts in one sentence.)  That seemed to do the trick as far as making sure there was a mock picot between the ring and the chain.

Here are the instructions as I did them (These instructions are for the motif alone.  For joining them to the large motifs you’ll just have to look at the picture above.  I can’t figure out how to explain where to make the joins and it’s one of those cases where a picture is worth a thousand words.):

R 3(-3)x7 (picots should be fairly long)

Round 2:

Leave space on threads after the ring of the same length as the picots.

*Ch 5, leaving the first half of the first stitch unflipped.

Shuttle join to next picot

Repeat from * 7 times around the ring.

Round 3:

**Ch 5-5 (joining were necessary to the large motifs previously made)

Shuttle join to top of next join on the previous round

Repeat from the ** 7 times.  Hide and cut ends.

Not too bad for a little motif.  I discovered after the second round that I’d made my ring picots just a little bit too short so it didn’t lie as flat as I’d like.  I’ll have to keep that in mind when I do the next 4.  Otherwise it came out pretty well.  I should have taken a picture after I finished the small motif but I forgot to do it until I’d finished another two of the large motifs and joined them to the group.  Here’s where I’m at this point:

And here again is what the finished doily will look like:

I can’t believe I’m actually making a doily.  I never thought I was that kind of tatter… ;)  Though I’m using size 10 thread so I think it’s going to come out pretty large.  MAYBE even large enough I can call it a tablecloth.  That seems more respectable than a doily.

I wanted to do just a quick pattern today so I picked out the small square insertion on page 6 of the first Priscilla book.  I liked the right angles you get by joining all the chains up in one spot on the center.  I also liked that it worked up pretty quickly with the thread left on my shuttle from the earlier rose motif.  Here’s the instructions:

Use CTM

*R  6-2-1-1-4

R 4+2(-1)x4-2-4

R 4+1-1-2-6

CH4-4

Repeat from * 3 times, joining the first ring of each clover to the last ring of the previous clover.  Also join the chains to the first chain at the picot.

This might be the first time I’ve said this with regards to the Priscilla Project, but I didn’t have any changes to the pattern as written.  Well, unless you count the fact that I’m not going to make another 35 of these and sew them to a piece of fabric to use as a centerpiece.  Smaller pieces like this are starting to grow on me, but not enough to do another 35 of them.  I think adding a jump ring and turning this little motif into a pendant will be a fine place to stop.

Today I started with the larger motif that builds into the star doily on page 13 of book 3. I’m a little partial to patterns with lots of chains because they mean you’re less likely to need to add more thread.  🙂 I’d been wanting to try a motif in which some of the rounds were simply chains that joined with the shuttle thread to the previous round. This was a fun little motif and with a split chain/split ring climb out from the inter part to the outer part it meant there was also no tying and cutting until the very end.

I did make a slight change to the very beginning. Instead of joining all the center rings to one large picot from the first ring I made each ring with two small (joining) picots and joined each ring to the previous one.  I don’t like making large picots with multiple joins to them because I never seem to get the size ring.  They’re either too small and bunch up or two big and loose.  Two picots means the center comes out looking a little neater and is a bit stronger to boot.   So where originally the center rings were 7-7 I made them 6-1-6 and they seemed to turn out fine.

Here’s the instructions as I tatted them:

Use CTM, leaving shuttle attached to ball

Round 1

R 6-1-6

CH 10

*R 6+1-6

CH 10 *

Repeat between *’s joining the 6th ring to the first and joining the last chain with a shuttle join to the top of the first ring.

Round 2

Ch 5-6-5, shuttle join to top of next ring, repeat chain around motif joining with a shuttle join at the top of each the next 4 rings.

Last chain is: CH 5-6 split chain of 5 (sorry I don’t know the shorthand for split chains).

Round 3

SR 7/7

CH 10

**R 7+7 (join to next picot on previous ring.)

CH 10**

Repeat between **’s, joining each ring to the next picot of previous round, all the way around. Join last chain with a shuttle join to the top of the first split ring.

Round 4

CH 4-2(x4)-4 ((5 picots separated by 2 stitches)), shuttle join ot the top of next ring, repeat chain around motif joining with a shuttle join at the top of each ring of the previous round.  Continue around motif then tie and cut ends.

You end up with a nice little round motif.  I made this one with size 10 thread.  I was a little disappointed that it turned out just a little bit too small to use by itself as a coaster.  Made from size 3 I think it would be prefect.  AND since it’s much heavier on the chains than rings I think it would tat up easily with size 3 and you probably wouldn’t have to worry about running out of thread on your shuttle.  I am adding it to my list of things to try later.  This list is getting rather long…

I’m also going to tat up the finished star doily that is described in the book.  There’s a little motif that I’ll also have to learn to connect the larger motifs, but that’s a project for another day.  From just looking at the picture of the finished doily I wasn’t sure how you were supposed to find a cloth that size or cut it to fit, but once I read the directions I saw it’s actually easier than I expected.  You tat and attach all the medallions to each other, sew them onto a large piece of cloth and then cut the cloth away.  Never knew it would be so easy.

Mom already said she liked the color of this first one so I think I’ll stick with the light blue.  One motif down, 29 to go, (plus the 5 little ones.)  More on this project later, but here’s the doily as it’s shown in the book:

Just a quick post today as I had class last night and haven’t done much tatting.  Did photograph and organize a couple pages of Priscilla book #1 so once I do the tatting from those pages I’ll be ready to post about them.  All my shuttles seem to be full so I’ll probably spend the weekend with little projects to finished off what’s on them and start fresh next week.  To that end I made another of the leaf motif bracelets from book #3 that I wrote about in my first post about the Priscilla project.  Seems so long ago.

I wanted to try the pattern in size 10 just so I would know how many repeats would be needed for a bracelet.  It would have been nice to know how much thread was needed too, but of course I didn’t think to measure the amount of thread on my shuttle before I started.  It was EXACTLY the perfect length.  I ended up with just a foot or so left, just the right amount for finishing the last ring.  I’ll have to try it again with a variegated thread so that I don’t need to measure the before and after, I can just count how many repetitions of the variegation it takes to finish.  That’s my lazy way of measuring thread.

I did make it to Michael’s yesterday to check out what sorts of ribbon they have for the sash/belt.  Of course I forgot to bring the piece with me.  I found the thread I used on the shelf and tried to match the color, but nothing was quite right so I went with black.  Course since I didn’t have the piece with me, I totally got the size wrong.  The black ribbon to the right is about the width of the entire belt, not the loop at the end, but I think it will still work.   Good enough for a proof of concept anyway, and I like the idea of a big ribbon and big bow.   I got the purple to try to make another where the tatting goes directly onto the ribbon.  Haven’t picked out a pattern for that yet, but there’s lots of great edgings in the Priscilla book and I’m sure one of those will work great.

Yesterday was a really busy day with work and getting ready for class tonight so I haven’t done much tatting in the last 24 hours, but I wanted to write about something I forgot to include yesterday in my post about the tatted belt. It’s probably not much of a new idea, but I figured it out while during that project and wanted to share it here.

The larger rings were made of 9 picots separated by 3 stitches for a total of 30 stitches in each ring.  Since I was using size 3 thread it meant that each ring took a fairly long length of thread.  I’m not sure how long exactly, but it got really annoying to constantly have to pull more thread through the stitches of the ring.  And as there were more and more stitches on the ring it took more and more pulling.  I could feel wrists tightening up everytime I had to do it and because it was hard to pull the thread through I had to keep stopping to do it.  (I couldn’t just do it with the fingers of my left hand like I can with a smoother thread and smaller ring.)

About half way through the project I realized I could wrap the shuttle thread around my pinky like I was making a chain, and then bring it around like a normal ring.  That way as I needed more thread to create the ring I already had it “inside” the ring and just had to unwrap it from my finger.  For the rings in this pattern I found I needed to wrap it around my finger about 10 times to finish the ring without having to pull anymore thread through.

Anyway, that’s all for today.  I just thought it was a handy little trick and hopefully it helps you as well if you ever decide to do a pattern with large rings with size 3 thread.

This was one of the rare occasions where I picked a pattern based on a project and not the other way around.  I saw this listing on Etsy of a belt with a large bow in the back and wanted to do something similar in tatting.  (Here’s another cool example from the same designer.)  I wanted a piece of tatting in the front that would tie in the back with a large bow.

Because a belt is a fairly large piece of tatting I decided to do my proof-of-concept piece in size 3 thread.  That way it would work up faster and if it was a disaster I hadn’t spent too much time on it.  Size 3 thread meant finding a more simple pattern so I flipped through the Pricilla books and found this one on page 5 of the 2nd book.

I figured that in size 3 thread this would work up large enough to make for a bold belt and I picked a nice bright red to give a bit of color to a white skirt I wanted to wear it with. My idea was to tat this pattern for the about 3/4th of the size of my waist and then add red sashes to the ends that would tie in the back.

Here are the instructions as written in the book.  In modern short hand they are:

*Ch 7-7

R 3-3-3-3

Ch 7-7

R 3(-3)x9*

Repeat between *s.  Make a second row that attaches the picots of the chains.

I don’t know who would actually want to start this pattern with a chain, so I started with the small ring and went on from there.  If I were redoing the pattern now I would make the chains shorter.  As you can see in the picture the chains sort of bunched up like there is too much curve in them for the short distance between the rings.  (I wonder if it would help if I didn’t tat the chains as tightly.)

One of the things I learned in Sharon’s tatting design course was that if you have a chain and rings pattern and you want it to stay flat you need to have the number of stitches in the chain equal the number of stitches in the sections of the rings that make up the top part of the negative space created by the rings and chain.  That’s a really complicated way to say it, but maybe if I explain it through this particular pattern.  The first ring has 3 stitches after the picot that will become the join.  The second ring has 3 stitches before the join.  Together that’s 6 stitches.  So if I wanted to do just one row of this pattern and wanted it to be straight I should have chains that connect the rings of only 6 stitches not 14 like this pattern calls for.

I wish I’d stopped and taken a picture before I’d finished adding the second row.  Without the second row the pattern has a tendency to curve in on the ring side.  (Which actually could be a pretty cool effect.  I could see joining picots of the large rings to make the pattern circle around… I’m going to have to try that.)

Anyway, the second row pulls it back and straightens it, but you can still see how it’s bunching in the front.  If I were to do this pattern again I’d probably try 5-5 for the chains to see if that would help.  Without the second row it would still bend but I think that with the second row it would work.  I could try 3-3 which according to the calculations above should keep it flat, but it would also take away some of the height of the pattern and I would want to keep that for the belt. When working the leaf motif yesterday I learned that joining two rings with two joins instead of 1 gives the piece more structure and makes it stiffer.  I wonder if that might work here too with chains of something like 5-4-5 and then 5+4+5.  Just something else to try sometime.

One of the things the book doesn’t mention is how to add on the second row.  I guess they just expect you to tie off the end of the first row and then start the second separately.  I didn’t want to do that because 1) Didn’t want to have to hide more ends than needed and 2) Wanted to create a loop to attach the sash part to later.  Pictured is my solution.  After the last ring of the row I did a chain of 20 unflipped double-stitches before starting up again with the first ring of the 2nd row.

I didn’t flip the stitches of this chain because I wanted it to curve into the rest of the tatting.  This created the loop that I’ll eventually use to attach the sashes.

As a side note here I didn’t start the first row at the end.  That doesn’t really make sense… When I was tatting the second row and was getting back to where I started I kept going and did an extra repeat so the last repeat of the second row made it longer than the first row.  Then I did the unflipped stitches of the end and did what would become the first repeat of the first row.  That way I was making the final knot and hiding the ends about an inch into the piece and not at the end.  I think that might make it a little stronger since it’s the end that’s going to have the most tugging on it when the best is tied.

This is as far as I’ve gotten on this project.  All the tatting is done, but I haven’t figured out how to do the sash part yet.  I’m hoping to find something at Joanns that I won’t have to adapt much because I’m not too fond of sewing.  If you have any ideas, please let me know.  I’ll share the finished piece here when I’m done.

I’m also working on a large piece from the Priscilla books which is an easy pattern but which I’ve chosen to work up in a rather large project.  So I wanted to do a fairly easy pattern for today that wouldn’t take up much time. Since the leaf motif came together so easy on Tuesday I thought I’d do the pretty little rose that goes with it.

Yeah, that didn’t work out as well as I thought it would.  This unassuming little rose was more complicated than I expected. You see, this rose is the introduction to something Priscilla calls “Knot tatting.”  It’s basically their version of the split chain.  Here’s the pictures and written instructions for it, “A” is your shuttle thread, “B” is the ball thread or the thread you are covering:

I have no way of knowing, but I suspect the usual split chain must not have be around when this book was written in 1924 or else they would have shown that.  This is a cool little knot.  Unlike the split chain which is done in two passes (you have to pull two loops through the space to create the finished knot) this one only takes one pass so it’s a bit easier and faster to make.  The big difference is that the split chain ends up looking like the normal tatting stitch, where as this one doesn’t.  Also, with the split chain the threads that wrap around the core thread fall into place naturally as you do the knot.  With Knot Tatting you have watch and guide them into place a bit more.  It’s slightly easier for it to get unruly.

Each one of those “spokes” on the rose is made up of a series of these knots.  About half way through I was frustrated and sick of them, but by the time I finished I’d gotten a little more comfortable with doing them and I was so pleased with the way it looked I’m sort of ready to try another.  Maybe not right away though.  Here’s the instructions for the rose.

I recommend starting with the Continuous Thread Method (CTM).

R 4(-4)x5

Second round:

Over the ball thread, do 4 knot stitches (I’m calling them ksts in these instructions)

R 7

Ch 3ksts over ball thread leave picot, Ch 8-8

*Join shuttle thread to next picot on center ring leaving space.

Ch 4ksts

R 7

Ch 3ksts, pick up ball thread, leave picot, and Ch 8-8*

Repeat between *’s around the center ring then join to picot at top of first spoke.

Third round:

Ch 5ksts over ball thread, leave picot, Ch 2(-2)x5

**Join shuttle thread to next picot on round 2, leaving space.

Ch 4ksts, pick up ball thread and Ch 2(-2)x5

Join shuttle thread to next picot on round 2, leaving space.

Ch 5ksts, pick up ball thread and Ch 2(-2)x5**

Repeat between **’s around.  You’ll be making 4ksts on top of all picots in chains and 5ksts on top of all picots above spokes.  Join to picot at top of first spoke.

WHEW.  It won’t really make sense until you try it, but hopefully it’s sort of clear once you’ve got thread in your hands.  It took me quite a while to get this little rose finished, but by the time I did I was getting more comfortable with the knot stitch.  In the first round I was getting a bit frustrated with the way it was coming out because I was having trouble keeping it even, so I did a couple spokes in the normal split chain to compare them.  The knot stitch is faster, but a bit harder to keep even. This little rose certainly gives you plenty of practice with it.

This rose and the leaf motif from Tuesday are part of a large centerpiece.  The final piece has 109 rose motifs.  109! That works out to about 9,000 knot stitches.

I don’t know if I’m up for doing that many.  I might decide that life is just too short to spend my time doing knot stitches, but I do really like the way this rose motif came out and do like the little leaves.  Maybe I’ll just do a couple of smaller pieces with just one rose and the leaves around it.  Here’s the full centerpiece.  Enjoy it now, it might be the only time you see it on my site.  🙂

I started work on a large piece that I was going to write up today, but since it still has a fair amount of tatting left I decided to put it aside and work up this quick motif.  This little leaf has been catching my eye every time I flip past it on page 15 of Priscilla Tatting Book #3.  It’s part of the large centerpiece on page 14 and I’ll get to the centerpiece eventually, but today I just wanted to tackle this leaf.  I keep seeing it as a petal and want to try making some flowers out of it eventually.

For the size of this simple-looking leaf it has some mightly long directions.  This is the sort of pattern that makes you crave a diagram.  It would be so much easier to follow.  I didn’t even try to start tatting directly from the book.  Before even attempting it, I wrote out the pattern in shorthand so I could have it in front of me while looking at the picture.  It’s still sort of a pain in the butt to follow since every ring is different (well, one half of the leaf is the mirror image of the other, but since there’s joins on the second half that aren’t there on the first half, even in the shorthand version you have to write out each ring and chain separate.

Here it is:

R 4-3-2-3

Ch 6-2

R 6+2-3-2-6

Ch 7-2

R 8+2-4-2-8

Ch 7-2

R 6+2-3-2-6

Ch 6-2

R 4+3-4-6

Ch 7-7+(to last ring, I recommend a shuttle join) 2-6

R 6+(to last ring) 2+ (to opposite ring) 3+ (to second picot on opposite ring) 2-6

Ch 2-7

R 8+(to last ring) 2+ (to opposite ring) 4+ (to second picot on opposite ring) 2-8

Ch 2-7

R 6+(to last ring) 2+ (to opposite ring) 3+ (to second picot on opposite ring) 2-6

Ch 2-6

R 3+ (to last ring) 2+ (to opposite ring) 3+ (to second picot on opposite ring) 4

Ch 6-2 + (to base of first ring made) tie and hide ends

Still annoying to follow, huh?  Fortunately for you, I decided to make a drawing.  Unfortunately for you, I’m not very good at drawing.  Sorry about that.  Hopefully it’s still a little helpful.  (Click on the picture once and it will take you to a window with just the picture where if you click on it again it will zoom in.)

One thing that annoyed me when I finished is that because the last chain has only 2 stitches after the last picot there was no place at the end for me to use the magic thread trick to hide the ends.  You can maybe see in the picture below that I just tied and cut them since this was just a practice round.  When I started tatting it from the pattern I didn’t even take the time to figure out which ring I was starting with, I just did it like a tat-it-and-see and didn’t worry about the end.  Looks like if I want to hide my ends I’m going to have to plan ahead and put in a magic thread in either the first ring or chain.  I think it would probably show less in the ring.  A little annoying since I don’t like to have a magic thread hanging out while I’m tatting.  I’m always worried it will slip out, but I guess that’s what I’ll need to do for this pattern.

I love those little picots on the chains though.  I’m not usually much for decorative picots but those little ones really make a huge difference in leaf.  Gives the edges a more crisp feeling that sort of looks like an oak to me.  I also thought the double joins between the rings was interesting.  This motif seems a little more solid and stiff than most and I think that’s part of the reason why.  Gives the piece a little more structure which is nice.

Well, this is just a small section of the final centerpiece, but since there’s so many of these leaves (and the rose motif that I will tackle another day) I thought I might as well get started.  It will be good for me to have a large project that I can keep coming back to for those days when I want some tatting that will let me zone out and don’t want to work my way through a new pattern.  I’m not actually at the zoning out stage with these leaves though because I still need to figure out how to put them together with the roses for the final piece.  The instructions just say to make all the smaller motifs and “join” them.  I think that they’re using the term “join” generally, and not as a picot join so I guess that just means with a needle and (sewing?) thread.  Seems like there should be a more elegant way to do that, but I’m leaving that for another day.

The first Priscilla book is 33 pages, the second is 43 and the third is 32.  Then there’s also the yoke book from Priscilla which is both tatting and crocheting.  I don’t have it in front of me so I can’t count up how many pages of tatting it has.

It’s sort of hard to tell how many patterns there are on the 100+ pages without going through very carefully and counting.  The books are scanned and the pictures are from the early 1900.  A lot of the detail is lost and the division between patterns is shown just with a slightly large bit of text in the middle of a sea of text.  Ahh, what I wouldn’t do for a diagrammed pattern.

I have messed around with some of the larger projects before and had them sort of end up as a mess.  The patterns an written sometimes don’t match the pictures and even when they do seem to I’ve had trouble getting mine to come out the same or even just flat.  It’s probably in the blocking, but I feel like if you need to block a pattern to make it come out flat then you probably need to change the pattern first.  Blocking is for finishing, but once a piece is tatted it should have basically the right shape.

I’m really looking forward to wrestling with those larger patterns, but I wanted to start off with a few of the easier ones first.  It was the edgings on pages 7-10 of the 3rd book that made me first notice the Priscilla books so I’m starting with one on page 8, “Figure 24a” or as I’m calling it, the “Leaf Edging” since I think it looks like leaves on a vine.

I decided a bracelet of this pattern would be a good way to finish off a bit of black Lizabeth thread in size 20 that I had left on a shuttle.  A magnetic clasp was perfect for it.

Here’s a picture of the instructions.  Nice and easy, right?  Written out in the more modern short hand they are:

R 4-4-4-4-4-4

Ch 6-4-4-6

R 4-4+4-4-4-4 (join 2nd picot to 4th picot of last ring)

Shoelace trick (my addition, see note below)

Repeat from the beginning, until you’ve reached the desired length then tie and hide ends.

I didn’t think I’d learn much from such a simple looking pattern, but of course, I did.  As written the instructions just say “turn” but I quickly found that just turning and working the second ring would simply leave the shuttle and ball threads crossed once I continued.  In addition to then giving the piece a front and back it also meant the sections would flip around and not stay in place.  This might not matter if you were going to take the finished project and sew it down as an edging, (in fact you might want to have a front and back in that case) but for a bracelet it didn’t work. (See the picture on the right.) a simple shoelace trick before the next ring took care of that and the different sections stay nicely in place now.

I liked this pattern so much I decided to try it with beads with the last bit of purple thread on a shuttle from an earlier project. It’s hard to tell because the purple is so dark, but the rings are purple and the chains are black with purple beads.

I think this will be a pattern I use a lot.  I especially like it as a quick project for finishing off the last bit of thread on a shuttle by using it as the chain color.  It doesn’t take much to do a bracelet and if I run out on the shuttle I can switch over to a ball to finish it off.  That’s what I’m doing with the third version below.  I had just a little bit left of the green (size 80) left on a shuttle and happened to already have the blue wound on another.  I think I just might be able to finish it with what’s on the shuttle, but if not I’ll switch to the ball.

With that, I’m 1 pattern down and couple hundred (?) left to go.  Stay tuned!